Bertolt Brecht and Critical Theory : Marxism, Modernity and the "Threepenny" Lawsuit (2 Revised edition)

This study of Brechtian theory concentrates on "Der Dreigroschenprozess".

The author gives an account of the legal case that provoked Brecht into writing "Der Dreigroschenprozess", in which he examines the implications of film production for authorial and moral rights in copyright law.

Brecht's views on epistemology and social theory are analyzed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch.

The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's "Kunstwerk" essay.