The shockingly audacious conclusion to the international bestselling phenomenon that began with Maestra. If you can't beat them - kill them First there was Maestra.
Then there was Domina. Now - there is Ultima. Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million. For Judith the prospect of putting one over her loathsome former employer and the world's art establishment is almost as thrilling as the extreme sex she's addicted to - especially when the price of failure is a bullet in the back of the head. But exposing her new identity to the glare of the spotlight puts her at risk of an even greater danger. Like a beautiful painting stripped of its layers of varnish, something altogether different could be revealed. A truth about her past even Judith might find shocking. Praise for the Maestra series'Like a ritzy 50 Shades meets The Da Vinci Code . . . ' INDEPENDENT'Funny and clever, entertaining and well written' THE TIMES'A rip-roaring read' DAILY MAIL'Fantastically good fun . . . L.S. Hilton can write' THE SUNDAY TIMES'Brimming with scandal, intrigue and mystery' HEAT'Deliciously decadent . . . a glamorous and racy adventure' SUNDAY MIRROR'Patricia Highsmith crossed with Gone Girl' HARPERS BAZAAR'Smart, pacy and very rude' GLAMOUR'A gloriously dark thriller' GRAZIA'A whirlwind thriller' COSMOPOLITAN'At least two jaw-on-the-floor moments and sex scenes that would make Christian Grey blush' RED MAGAZINE