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Image for Meshes of the afternoon

Meshes of the afternoon

By: Rhodes, John David (University of Cambridge, UK)

Part of the BFI Film Classics series
1838719725 / 9781838719722
Paperback
791.4372
28/05/2020
Stock expected by 05/06/2020
England
19 cm 136 pages : illustrations (black and white)
Professional & Vocational  Learn More
Reprint. Published on behalf of the British Film Institute. Originally published: Basingstoke: Palgrave Macmillan, 2011.

Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the most important film in the history of American avant-garde cinema. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist.

Its focus - through a series of intricate and interlocking dream sequences - on female experience and the domestic sphere links Meshes to the Hollywood melodramas of the period, while its unsettling atmosphere of dread, death and doubles makes it a counter-cinematic cousin to film noir. The film has influenced not only the subsequent history of experimental film, but also on the work of Hollywood auteurs.

It is a touchstone of women's film-making, of modern cinema and of modern art. John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren.

He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics.

Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms. In his foreword to this new edition, Rhodes reflects upon the film's continuing importance for and influence upon feminist and avant-garde filmmaking.

BIC:

APF Films, cinema

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