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Gamelan gong kebyar : the art of twentieth-century Balinese music

Part of the Chicago Studies in Ethnomusicology CSE series
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The Balinese "gamelan", with its shimmering tones, breathless pace and compelling musical language, has long captivated musicians, composers, artists and travellers.

Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent 20th-century genre, gamelan gong kebyar.

Combining the tools of the anthropologist, composer, music theorist and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure.

In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original.

Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs.

The most ambitious work on gamelan since Colin McPhee's classic "Music in Bali", this book should interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia and Bali.

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Product Details
University of Chicago Press
0226792838 / 9780226792835
Paperback / softback
01/08/2000
United States
English
xxv, 492p. : ill.
26 cm
postgraduate /research & professional /undergraduate Learn More