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Perspectives on Mozart performance

Todd, R. Larry(Edited by)Williams, Peter(Edited by)
Part of the Cambridge Studies in Performance Practice series
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Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series.

It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.

Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Komlos), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty).

Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell).

An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura.

Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R.

Larry Todd).

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Product Details
Cambridge University Press
0521024064 / 9780521024068
Paperback / softback
780.92
13/02/2006
United Kingdom
English
xiv, 246 p. : ill.
25 cm
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Reprint. Originally published: 1991.