Ian Fleming's James Bond in Raymond Benson's Never dream of dying

A movie is a perfect hiding place for crime, as Bond finds when he uncovers how a film producer is a front for an international crime conspiracy.

The Union - already encountered in the latest two Bond adventures High Time to Kill and Doubleshot - reveals its connections to the Cannes Film Festival and the Corsican mafia.

Before he has finished, Bond will have to save the producer's exquisite movie-star wife, confront Le Gerant, the brains behind the Union - and settle a score from many years ago.