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Dramaturgie und Inszenierung im Figurentheater

Kommerzielle Tanzstile unterrichten - Tanz & Padagogik erforschen (Band 2) : Beitrage des Kollegs fur kommerzielle Tanzstile und -padagogik

Eine Analyse der Dramentektonik, der Essensmotivik und der Auto-Intertextualitat in George Taboris Holocaust-Drama "Die Ballade vom Wiener Schnitzel : Liebe geht durch den Magen - Trauer muss durchs G

Aproximaciones hacia una estetica para la danza contemporanea : Autonomia intersubjetividad y giro performativo a partir de dos obras Chilenas actuales

Koeniginnen des Tanzes : Von Pina Bausch bis zu Mary Wigman

Das Phanomen der Boy Actors und ihr Publikum am englischen Hof und im Private Theatre (1559-1608)

Stanislawski, Strasberg, Grotowski. Eine Reflektion uber die 'Kunst des Erlebens'

Von den Ursprungen des europaischen Theaters

Improtheater und Theaterpadagogik

Georg Friedrich Handel - ein kosmopolitischer barocker Starkomponist

Das Theater von Rimini-Protokoll

Raum schaffend (zusammen) : Idiorhythmische Heterotopien des realen Raumes als Ausdruck von Leben wollen (zusammen) in Laurent Chetouanes Tanzstuck #4

Raum und Raumerfahrung im Film : Am Beispiel von Stanley Kubricks "2001: A Space Odyssee"

Beleuchtung von Wolfgang Isers Leerstellen bei Oliver Reeses Bartsch, Kindermoerder

La metaphore de la peste dans Le Theatre et son double d'Antonin Artaud

Exemple de la crise du drame - Pelleas et Melisande de Maeterlinck : Crise des personnages et de la langue

Warum sind bestimmte Installations- sowie Inszenierungseigenschaften, Mittel und Konzepte sinnvoll, um Raumwirkung und damit verbundene Theatralitat zu erzielen?

Der Blick des Anderen im Drama "Geschlossene Gesellschaft von Jean-Paul Sartre

Winihilf des 3. Reiches oder Die nationalsozialistische Mutter Gottes - Kritische Auseinandersetzung mit Brigitte Hamanns fragwurdiger Hagiographie von Winifred Wagner

Schlagende Verbindungen - Relikte oder Brutstellen von nationalsozialistischem Gedankengut?

Stanislawski und Brecht : Ein kritischer Vergleich Stanislawskis und Brechts Theorien

"Glotzt doch nicht so romantisch - UEber das Epische Theater

Schauspiel und Absurdes Theater : Method Acting im Kontext von Samuel Becketts Figuren in Rough for Theatre I

Die Fledermaus von Johann Strauss : Rezeption - Auffuhrungsgeschichte - Inszenierungen

Die Musik Tom Waits' in Robert Wilsons The Black Rider

Eine groteske Komoedie ohne Perspektive? "Die Physiker" von Friedrich Durrenmatt am Deutschen Schauspielhaus in Hamburg : Anmerkungen zum Werk, zu seiner Aussage sowie ein Hinweis auf seine Inszenieru

Der Antisemitismus in den 'Meistersingern' von Richard Wagner

Der Koerper (in) der Sprache : Zum Verhaltnis von Wahrnehmung und Koerper in den medienasthetischen Schriften Walter Benjamins

Der Intrigant Marinelli in der Darstellung des Edgar Selge : Eine tragisch-komische Figur?

A new and historical theatre in Bertolt Brecht's Life of Galileo?

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