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The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 26 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 21 : Akom (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 23 : Native American

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 25 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 30 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 24 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 29 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 6 : Nandom (Dagarti)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 18 : Bima Frafra/Bambaya

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 11 : Agbeko/Boboobo (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 13 : Desro Le Fe (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 1 : Kpanlogo (Ga)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 12 : Yeve (Ewe/Fon)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 20 : Kete (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 2 : Gadzo (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 15 : Kundum (Ahanta-Nzema)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 19 : Damba Takai/Lobi

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 8 : Gahu/Togo Atsia (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 3 : Gadzo/Hatsiatsia (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 4 : Hatsiatsia (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 17 : Agbadza

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 5 : Hatsiatsia/Asafo (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 14 : Adowa (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming

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