Beyond Structural Listening? : Postmodern Modes of Hearing

In a highly influential essay Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself.

The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge in what is likely to become one of music scholarship's intellectual touchstones for many years to come.