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The Global and Local Appeal of Kneehigh Theatre Company : Brand Kneehigh

Theatre Noise : The Sound of Performance

Contemporary Southeast Asian Performance : Transnational Perspectives

Performative Inter-Actions in African Theatre 3 : Making Space, Rethinking Drama and Theatre in Africa

Views, Positions, Legacies : Interviews with German and British Theatre Artists, 1985-2007

Consciousness, Theatre, Literature and the Arts 2007

Adapting Gaskell : Screen and Stage Versions of Elizabeth Gaskell's Fiction

Introductions and Translations to the Plays of Sophocles and Euripides : Vol. I

Music on Stage

Aesthetics of Presence : Philosophical and Practical Reconsiderations

Old Stories, New Readings : The Transforming Power of American Drama

The Future of Post-Human Performing Arts : A Preface to a New Theory of the Body and its Presence

Media, Culture and Conflict in Africa

The Myth of Identity in Modern Drama

Shifting Paradigms in Culture : A Study of Three Plays by Jean Genet-The Maids, The Balcony and The Blacks

Strindberg on International Stages/Strindberg in Translation

Vision of Change in African Drama : Femi Osofisan's Dialectical Reading of History and Politics

Theatres of Rebellion in Nicaragua : From the Colony to the Sandinista Revolution

Theatres of Thought : Theatre, Performance and Philosophy

Menander's Characters in Context : From the 4th Century BC to the Modern Greek Stage

Medieval and Early Modern England on the Contemporary Stage : The Past is Back on Stage

The Gendered Subaltern and the Urban Theatre Space

Today We're Alive : Generating Performance in a Cross-Cultural Context, an Australian Experience

Heinz-Uwe Haus and Brecht in the USA : Directing and Training Experiences

Brechtian Theatre of Contradictions : Providing Moral Strength under Conditions of Dictatorship

Consciousness, Theatre, Literature and the Arts 2011

Eight Performance Texts about Disability

Plautus' Erudite Comedy : New Insights into the Work of a doctus poeta

Performing Consciousness

Adaptations, Versions and Perversions in Modern British Drama

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