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From Wagner to Murnau : Transposition of Romanticism from Stage to Screen

Symphony Number One and Selected Poems

An English Translation and Commentary on Amand Vanderhagen's Methode Nouvelle Et Raisonnee Pour La Clarinette (1785) and Nouvelle Methode De Clarinette (1799) : A Study in Eighteenth-century French Clarinet Music

The Origin, Development and Diffusion of the Steel Band in the Caribbean and Beyond : The Historical Geography of a Musical Instrument

The Operettas of Emmerich Kalman

Dance Performance by Lucnica, Slovak National Folklore Ballet : What is the Meaning of Staged Folkloric Performances?

Cultural Context of Mozart's "Magic Flute" : Social, Aesthetic, Philosophical

Shakespeare's Influence on Wagner's Operas : Unraveling the Hidden Connections

Sight Singing and Rhythmic Reading : Progressive Exercises in Developing Aural Skills

A Critical Translation from the Italian of Vincenzo Manfredini's "Difesa Della Musica Moderna"/"In Defense of Modern Music" (1788)

Psychological Perspective on Camille Saint-Saens

The Resident Professional Company of the College of Wooster : A Celebration of the Ohio Light Opera

A Biography of E.Azalia Smith Hackley (1867-1922), African-American Singer and Social Activist

Harry S.Truman's Musical Letters

Student Teaching in the Choral Classroom : An Investigation of Secondary Choral Music Student Teachers' Perceptions of Instructional Successes and Problems as They Reflect on Their Music Teaching

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 21 : Akom (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 23 : Native American

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 24 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 25 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 26 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 29 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 30 : Solkattu (S. India)

Orchestration and Orchestral Style of Major Symphonic Works : Analytical Perspectives

Orchestration and Orchestral Style of Major Symphonic Works : Analytical Perspectives

Arnold Schoenberg : The Composer as Numerologist

Lisztian Keyboard Energy/Liszt et la Pedagogie du Piano : An Essay on the Pianism of Franz Liszt

Opera Premieres - v.1 : Index of Casts

Opera Bibliography - v. 1

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