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Pirandello in context

Reimagining Urban Planning in Africa

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

Dynamic Sustainability: Implications for Policy, Markets and National Security

Pirandello in Context

Leonard Bernstein in context

Wagner in context

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

Staging Disgust: Rape, Shame, and Performance in Shakespeare and Middleton

Hensel: String quartet in E flat

Staging Disgust: Rape, Shame, and Performance in Shakespeare and Middleton

Sleep No More and the Discourses of Shakespeare Performance

Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back

Wagner in context

The Donkey King: Asinine Symbology in Ancient and Medieval Magic

Freed persons in the Roman world: status, diversity, and representation : Status, Diversity, and Representation

Reimagining Urban Planning in Africa

The Lied at the Crossroads of Performance and Musicology

Shakespeare's Tercentenary: Staging Nations and Performing Identities in 1916

Dynamic Sustainability: Implications for Policy, Markets and National Security

Vaughan Williams in Context

Repetition and Performance in the Recording Studio

The Donkey King: Asinine Symbology in Ancient and Medieval Magic

Critical pedagogy and active approaches to teaching Shakespeare

Freed persons in the Roman world: status, diversity, and representation : Status, Diversity, and Representation

Repetition and performance in the recording studio

The Cambridge Companion to Tango

The Lied at the crossroads of performance and musicology

Sleep no more and the discourses of Shakespeare performance

Shakespeare's Tercentenary: Staging Nations and Performing Identities in 1916

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