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Biographical plays about famous artists

Fortune and fatality: performing the tragic in early modern France

Tennessee Williams and his contemporaries

Selfhood On The Early Modern English Stage

Experiments in freedom: explorations of identity in new South African drama

Metaphoric resonance in Shakespearean tragedy

Crossings: David Mamet's work in different genres and media

Authenticity and legitimacy in minority theatre: constructing identity

Stage migrants: representations of the migrant other in modern Irish drama

Looking through gender: post-1980 British and Irish drama

Last tape on stage in translation: unwinding Beckett's spool in Turkey

Border states in the work of Tom Mac Intyre: a paleo-postmodern perspective

Titus out of joint: reading the fragmented Titus Andronicus

Bad pennies and dead presidents: money in modern American drama

British and Britishness in G.B. Shaw's plays: a linguistic perspective

Debating with the Eumenides: aspects of the reception of Greek tragedy in modern Greece

Heinz-Uwe Haus on culture and politics

Samuel Beckett and the 'state' of Ireland

Staging and the Arts in Nineteenth-Century France: Appearing, Revealing, Disappearing

The Element of the 'Absurd' in Rajiv Joseph's Post-9/11 Plays

On Ibsen and Strindberg: the reversed telescope

The revolutionary drama and theatre of Femi Osofisan

New Postcolonial Dialectics: An Intercultural Comparison of Indian and Nigerian English Plays

Thornton Wilder in collaboration: collected essays on his drama and fiction

Oscar Wilde and the Art of Lying

Paedophilia and Child Sexual Abuse in Drama and Theatre

Reading Othello as Catholic Tragedy

Contemporary Indian English poetry and drama: changing canons and responses

Heinz-Uwe Haus and Brecht in the USA: Directing and Training Experiences

Plautus' Erudite Comedy: New Insights Into the Work of a Doctus Poeta

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