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The End of Modernism : Elias Canetti's Auto-da-Fe

By: Donahue, William Collins

Part of the University of North Carolina Studies in Germanic Languages and Literature series
1469657422 / 9781469657424
Paperback / softback
833.912
30/05/2020
Published 30/05/2020
United States
152 x 229 mm 302 pages, 9 halftones
Professional & Vocational  Learn More

Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young.

Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history.

The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

BIC:

DSB Literary studies: general, DSRC Literary companions, book reviews & guides, HPCF Western philosophy, from c 1900 -

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