Aspects of the Novel

<p>Sponsored by Trinity College of the University of Cambridge, The Clark Lectures have a long and distinguished history and have featured remarks by some of Englands most important literary minds: Leslie Stephen, T.

S. Eliot, F. R. Leavis, William Epsom, and I. A. Richards. All have given celebrated and widely influential talks as featured keynote speakers.</p><p></p><p>n important milestone came in 1927 when, for the first time, a novelist was invited to speak: E.M.

Forster had recently published his masterpiece, <i>A Passage to India</i>, and rose to the occasion, delivering eight spirited and penetrating lectures on the novel.</p><p></p><p>The decision to accept the lectureship was a difficult one for Forster.

He had deeply ambivalent feelings about the use of criticism.

Although suspecting that criticism was somewhat antithetical to creation, and upset by the thought that time spent on the lectures took away from his own work, Forster accepted.

His talks were witty and informal, and consisted of sharp penetrating bursts of insight rather than overly-methodical analysis.

In short, they were a great success. Gathered and published later as <i>Aspects of the Novel</i>, the ideas articulated in his lectures would gain widespread recognition and currency in twentieth century criticism.</p><p></p><p>Of all of the insights contained within <i>Aspects of the Novel</i>, none has been more influential or widely discussed than Forsters discussion of "flat" and "round" characters.

So familiar by now as to seem commonplace, Forsters distinction is meant to categorize the different qualities of characters in literature and examine the purposes to which they are put.

Still, it would be wrong to reduce this book to its most famous line of argument and enquiry. <i>Aspects of the Novel</i> also discusses the difference between story and plot, the characteristics of prophetic fiction, and narrative chronology.

Throughout, Forster draws on his extensive readings in English, French, and Russian literature, and discusses his ideas in reference to such figures as Joyce, Tolstoy, Dostoevsky, James, Sterne, Defoe, and Proust.</p><p></p><p></p>