Imperialism and Theatre

In cultures across the world theatrical performance has long been a site for the representation and support of imperialism - and for resistance and rebellion against it.

Imperialism and Theatre is a ground-breaking collection which explores the questions of how and why the theatre was used within imperial societies to articulate the concerns of both the colonizers and the colonized. Bringing together fifteen noted scholars and practitioners of theatre, the collection crosses national and historical boundaries to present a truly comprehensive study of post-colonial drama.

The essays engage with current theoretical issues while shifting the focus from the printed text to theatre as cultural form and political force. A compelling and timely work, Imperialism and Theatre reveals fascinating new dimensions to the post-colonial debate.

Affiliations are US unless stated Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood (Guelph, Canada); Donald H.

Frischmann; Rhonda Garelick; Helen Gilbert (University of Queensland); Mich