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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema (1st ed. 2012)

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Tracing the rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Caché, Asbjørn Grønstad revives the debate about the role of negation and aesthetics, and reframes the concept of spectatorship in ethical terms.

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Product Details
Palgrave Macmillan
1349320641 / 9781349320646
Paperback / softback
01/01/2012
United Kingdom
213 pages, XI, 213 p.
140 x 216 mm