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The corporeal image : film, ethnography, and the senses

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In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised "Transcultural Cinema" and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.

In ten chapters, MacDougall explores the relations between photographic images and the human body - the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography.

In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys' school in northern India.

The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood.

The book's final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words.

In place of the conventional wisdom, he proposes a new set of principles for visual anthropology. These are essays in the classical sense - speculative, judicious, lucidly written, and mercifully jargon-free. "The Corporeal Image" presents the latest ideas from one of our foremost thinkers on the role of vision and visual representation in contemporary social thought.

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Product Details
Princeton University Press
0691121567 / 9780691121567
Paperback / softback
301
30/10/2005
United States
English
336 p. : ill.
23 cm
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Embracing, generous, thought-full. David MacDougall weaves together Robbe-Grillet and Robert Flaherty, early cinema and indigenous media, films of childhood and colonial postcards to offer a fresh, compelling case for the primacy of film in the study of culture. Across a range of examples, he asks us to consider what form of knowledge cinema conveys incisively that written work grasps imperfectly. MacDougall stands as one of the great creators of, and commentators on, film working today. -- Bill Nichols, author of "Introduction to Documentary" and "Representing Reality" This is a marvelous boo
Embracing, generous, thought-full. David MacDougall weaves together Robbe-Grillet and Robert Flaherty, early cinema and indigenous media, films of childhood and colonial postcards to offer a fresh, compelling case for the primacy of film in the study of culture. Across a range of examples, he asks us to consider what form of knowledge cinema conveys incisively that written work grasps imperfectly. MacDougall stands as one of the great creators of, and commentators on, film working today. -- Bill Nichols, author of "Introduction to Documentary" and "Representing Reality" This is a marvelous boo APFA Film theory & criticism