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A History of Experimental Film and Video

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Avante-garde film is in a constant state of change and redefinition.

In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda).

He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.

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Product Details
BFI Publishing
0851706819 / 9780851706818
Paperback
01/03/1999
United Kingdom
English
256p. : ill.
24 cm
general /postgraduate /research & professional /undergraduate Learn More