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Image for Simon Hantai and the Reserves of Painting

Simon Hantai and the Reserves of Painting

By: Warnock, Molly

Part of the Refiguring modernism series
0271085029 / 9780271085029
Hardback
759.4
01/06/2020
Stock expected by 06/06/2020
United States
229 x 241 mm, 998 grams 280 pages, 41 Halftones, color; 89 Halftones, black and white
Professional & Vocational  Learn More

The Hungarian-born French painter Simon Hantai (1922-2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition.

In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time.

Simon Hantai and the Reserves of Painting covers the entirety of Hantai's expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing.

Throughout, Warnock analyzes the artist's relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory.

Engaging both Hantai's art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantai's work evinces a complicated mixture of intentionality and contingency.

Appendixes provide English translations of two major texts by the artist, "A Plantaneous Demolition" and "Notes, Deliberately Confounding, Accelerating, and the Like for a 'Reactionary,' Nonreducible Avant-Garde."Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century.

It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.

BIC:

AC History of art / art & design styles, ACXD Art & design styles: c 1900 to c 1960, ACXJ5 Art & design styles: Conceptual art

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RRP £71.95
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