Armida : Dramma Per Musica in Three Acts by Giovanni Schmidt

Rossini's third "opera seria" for Naples, "Armida", was first performed in November 1817.

It is based on Tasso's epic poem "Gerusalemme Liberata", and demands singing of spectacular virtuosity and dramatic power.

This set is composed of two volumes of the score and one volume of commentary. "Armida" is considered among the most unusual and beautiful of stage works, and some of Rossini's most sensual music occurs in Armida's duets, two of which feature prominent introductions for solo violin and solo violoncello.

Included in the large cast are six tenor roles, two bass roles, and conspicuous parts for the men's and women's choruses.

Unique among Rossini's Italian operas is a large ballet, which occupies much of Act II, and magical scenic effects are called for in the staging. This critical edition presents "Armida" in its original form, reintegrating passages missing from the autograph score and restoring cuts made in printed editions.