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«... auf eine gantz neu Besondere Art ...» : Die Entwicklung der thematisch-motivischen Arbeit in Haydns Sinfonien aus der Zeit zwischen 1773 und 1781 und ihre Voraussetzungen

Vom Sprechen der Instrumente : Zur Geschichte des instrumentalen Rezitativs

«Christian Rock» - Unterhaltung oder mehr? : Eine Betrachtung unter kulturanthropologischen und musikwissenschaftlichen Aspekten

«Laeppische Schildereyen?» : Untersuchungen zur Konzeption von Programmusik im 18. Jahrhundert

Variations sur «l'inquietude rythmique» : Untersuchungen zur morphologischen und satztechnischen Funktion des Rhythmus bei Oliver Messiaen, Pierre Boulez und Jean Barraque

Studien zum musikpaedagogischen Werk Paul Hindemiths

Pierre-Octave Ferroud (1900-1936) : Ein Beitrag zur Geschichte der Musik in Frankreich

Alles geordnet mit Ma, Zahl und Gewicht : Der Idealplan von Johann Sebastian Bachs Kunst der Fuge

Luise Adolpha Le Beau und ihre Zeit : Untersuchungen zu ihrem Kammermusikstil zwischen Traditionalismus und «Neudeutscher Schule»

Boris Blachers Variable Metrik und ihre Ableitungen : Voraussetzungen - Auspraegungen - Folgen

Studien zum Verhaeltnis von Sprache und Musik bei Claude Debussy : Eine Untersuchung ausgewaehlter Werke aus dem Zeitraum 1888-1904 vor dem Hintergrund seiner Briefe, Feuilletons und Musikkritiken

Stettiner Komponisten

Studien zur Metrik Beethovens

Die Sprache der Empfindungen : Der Begriff Vortrag und die Musik des 18. Jahrhunderts

Kammermusik in der DDR

Studien zur Wiener Schule 2 : Christoph Penteker: Musikalische Semantik im Werk Gustav Mahlers- Susanne Pusch: Die Rezeption der Schoenberg-Schule in der Zeitschrift «Die Musik»- Sylvia Sagmeister: Ur

Menuett oder Scherzo? : Untersuchungen zur Typologie lebhafter Binnensaetze anhand der fruehen Ensemble-Kammermusik Ludwig van Beethovens

Vokale Ausdrucksformen im instrumentalen Spaetwerk Ludwig van Beethovens

Der Chor in der franzoesischen Oper des spaeten Ancien Regime

Symbol oder Metapher : Eine ideengeschichtliche Standortbestimmung des Humanismus in der Musik am Beispiel der Motette

Musikermigrationen im deutschen Ostseeraum in der ersten Haelfte des 19. Jahrhunderts : Die Kleinstadt Greifswald - ein Schnittpunkt zahlreicher Reiserouten

Die Operette «Der lustige Krieg» von Johann Strau : Werkgeschichte und Rekonstruktion der Urauffuehrungsfassung

«Ton» und Struktur : Das Problem der Harmonik bei Gustav Mahler

«...Tochter aus Elysium» : Werden und Urauffuehrung der Neunten Sinfonie Ludwig van Beethovens und die abenteuerlichen Wege des zerteilten Autographs

Die Anfaenge vierhaendiger Klaviermusik- Studien zur Satztypik in den Sonaten Muzio Clementis

Zeitstrukturen in Richard Wagners 'Ring'-Tetralogie

Die Konzerte Joseph Haydns : Untersuchungen zur Gattungstransformation in der zweiten Haelfte des 18. Jahrhunderts

Die Konzertform der Brueder Carl Heinrich und Johann Gottlieb Graun

Die Chansons von Antoine Busnois : Die Aesthetik der hoefischen Chansons

La «clemenza di Tito» von Wolfgang Amade Mozart im Spiegel der musikalischen Fachpresse zwischen 1800 und 1850 : Rezeptionsgeschichtliche Untersuchungen unter besonderer Beruecksichtigung der Wiener Q

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