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Baroque self-invention and historical truth: Hercules at the crossroads : v. 23

The baroque in architectural culture, 1880-1980

Passion and control: Dutch architectural culture of the eighteenth century

Zen paintings in Edo Japan (1600-1868): playfulness and freedom in the artwork of Hakuin Ekaku and Sengai Gibon

William Hunter's world: the art and science of eighteenth-century collecting

The writings of James Barry and the genre of history painting, 1775-1809

The nation's first monument and the origins of the American memorial tradition: liberty enshrined

The look of Van Dyck: the Self-portrait with a sunflower and the vision of the painter

The ethics of ornament in early modern Naples: fashioning the Certosa di San Martino

The Cristos yacentes of Gregorio Fernandez: polychrome sculptures of the supine Christ in seventeenth-century Spain

The beholder: the experience of art in early modern Europe

Performativity and performance in Baroque Rome

Painting and narrative in France, from Poussin to Gauguin

Materializing gender in eighteenth-century Europe

Marketing art in the British Isles, 1700 to the present: a cultural history

Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848

Gilbert Stuart and the impact of manic depression

Framing the ocean, 1700 to the present: envisaging the sea as social space

Early modern Dutch prints of Africa

Delicious decadence: the rediscovery of French eighteenth-century painting in the nineteenth century

Caravaggio: reflections and refractions

Biography, identity and the modern interior

Altarpieces and their viewers in the churches of Rome from Caravaggio to Guido Reni

Addiction and British visual culture, 1751-1919: wasted looks

Academie royale: a history in portraits

Paolo de Matteis: Neapolitan painting and cultural history in Baroque Europe

The spiritual rococo: decor and divinity from the salons of Paris to the missions of Patagonia

The spectacle of clouds, 1439-1650: Italian art and theatre

Faith, gender and the senses in Italian Renaissance and Baroque art: interpreting the Noli me tangere and Doubting Thomas

Exhibiting outside the academy, salon and biennial, 1775-1999: alternative venues for display

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