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Hippos, Hairpins and High Button Boots

Mande Music : Traditional and Modern Music of the Maninka and Mandinka of Western Africa

Think Global : West Africa Unwired

The Bad-Ass Librarians of Timbuktu

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 21 : Akom (Akan)

Loot : Britain and the Benin Bronzes

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 26 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 24 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 30 : Solkattu (S. India)

The Rough Guide to the Music of Mali and Senegal

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 23 : Native American

Loot : Britain and the Benin Bronzes

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 29 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 25 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 6 : Nandom (Dagarti)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 13 : Desro Le Fe (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 18 : Bima Frafra/Bambaya

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 11 : Agbeko/Boboobo (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 3 : Gadzo/Hatsiatsia (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 1 : Kpanlogo (Ga)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 12 : Yeve (Ewe/Fon)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 22 : Highlife

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 9 : Kpegisu (Ewe)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 14 : Adowa (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 17 : Agbadza

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 5 : Hatsiatsia/Asafo (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 20 : Kete (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming : Tape 2 : Gadzo (Ewe)

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