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Shakespeare and Adaptation Theory

Year of Shakespeare: Re-living the World Shakespeare Festival.

Shakespeare's King Lear: The Relationship Between Text and Film

Shakespeare and Indian Theatre: The Politics of Performance

Hamlet: A Critical Reader

Twelfth night: a critical reader

Art of Law in Shakespeare

Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment

Directing Shakespeare in America: Current Practices

Shakespeare and New Historicist Theory

A year of Shakespeare: re-living the World Shakespeare Festival

Shakespeare's Shakespeare: how the plays were made.

Shakespeare in the new Europe

Strengths of Shakespeare's shrew: essays, memoirs and reviews

Imagining Cleopatra: Performing Gender and Power in Early Modern England

British Black and Asian Shakespeareans: Integrating Shakespeare, 1966 2018

Disseminating Shakespeare in the Nordic Countries: Shifting Centres and Peripheries in the Nineteenth Century

Early Modern Liveness: Mediating Presence in Text, Stage and Screen

Liberating Shakespeare: Adaptation and Empowerment for Young Adult Audiences

Screening the Royal Shakespeare Company: A Critical History

Shakespeare's wife

Shakespeare's Pictures: Visual Objects in the Drama

Teaching Shakespeare and Marlowe: Learning versus the System

Transforming the Teaching of Shakespeare with the Royal Shakespeare Company

Screen Adaptations: Romeo and Juliet: A close study of the relationship between text and film

Shakespeare and the Medieval World

Shakespeare: Upstart Crow to Sweet Swan, 1592-1623

Reading and rhetoric in Montaigne and Shakespeare

How to Direct Shakespeare

How to Direct Shakespeare

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