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Dance Performance by Lucnica, Slovak National Folklore Ballet : What is the Meaning of Staged Folkloric Performances?

Cultural Context of Mozart's "Magic Flute" : Social, Aesthetic, Philosophical

A Biography of E.Azalia Smith Hackley (1867-1922), African-American Singer and Social Activist

Student Teaching in the Choral Classroom : An Investigation of Secondary Choral Music Student Teachers' Perceptions of Instructional Successes and Problems as They Reflect on Their Music Teaching

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 21 : Akom (Akan)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 23 : Native American

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 24 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 25 : Javanese

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 26 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 27 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 28 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 29 : Solkattu (S. India)

The Drum : Origins, Cross-Cultural Performance, and Analysis of West African, African American, Native American, Central Javanese, and South Indian Drumming - Tape 30 : Solkattu (S. India)

Origins of the Children's Song Cycle as a Musical Genre with Four Case Studies and an Original Cycle

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