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The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

Cambridge Companion to David Hare

Performing Restoration Shakespeare

Cambridge Introduction to Comedy

Occult Knowledge, Science, and Gender on the Shakespearean Stage

George Bernard Shaw in context

Nonsense and meaning in ancient Greek comedy

The Shakespearean stage

Theatre in the chocolate factory: performance at Cadbury's Bournville, 1900-1935

The Cambridge companion to Victorian and Edwardian theatre

George Bernard Shaw in Context

Pirandello in Context

Musical Response in the Early Modern Playhouse, 1603-1625

The Cambridge introduction to early modern drama, 1576-1642

Negotiating Copyright in the American Theatre: 1856-1951 - 58

Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830-1870

Clowning and authorship in early modern theatre

Modern American Drama on Screen

Haunting history onstage: Shakespeare in the USA and Canada

Bertolt Brecht in Context

Writing and the Modern Stage: Theater beyond Drama

Staging Disgust: Rape, Shame, and Performance in Shakespeare and Middleton

Euripides: Iphigenia in Tauris

Cambridge Companion to British Theatre of the First World War

Shakespeare, technicity, theatre

Shakespeare and Beckett: restless echoes

Viewing America: twenty-first century television drama

Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century

The Cambridge companion to theatre history

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