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Mise–en–scene – Film Style and Interpretation

The Cinema of Wes Anderson : Bringing Nostalgia to Life

German Expressionist Cinema – The World of Light and Shadow

The Personal Camera – The Subjective Cinema and the Essay Film

The Cinema of Agnes Varda : Resistance and Eclecticism

Disaster Movies – The Cinema of Catastrophe 2e

Animation

Widescreen – Watching Real People Elsewhere

Film Genre – From Iconography to Ideology

The Cinema of Nanni Moretti

The Cinema of Ken Loach

Cinephilia in the Age of Digital Reproduction - Film, Pleasure, and Digital Culture, Volume 1

The Cinema of Takeshi Kitano : Flowering Blood

For His Eyes Only : The Women of James Bond

Film and the Natural Environment : Elements and Atmospheres

The Cinema of Wes Anderson : Bringing Nostalgia to Life

The French New Wave – A New Look

The Cinema of Christopher Nolan : Imagining the Impossible

Avant–Garde Film – Forms, Themes and Passions

The New Hollywood – From Bonnie and Clyde to Star Wars

Spectatorship – The Power of Looking On

Queer Cinema : Schoolgirls, Vampires, and Gay Cowboys

Film Noir – From Berlin to Sin City

Film Editing – The Art of the Expressive

Contemporary British Cinema

Italian Neorealism

Feminist Film Studies - Writing the Woman into Cinema

The Czechoslovak New Wave

Remapping World Cinema – Identity, Culture, and Politics in Film

Crime Films – Investigating the Scene

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