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A critical companion to Terry Gilliam

Randell, Karen(Afterword by)Bekker, Ian(Contributions by)Broodryk, Chris(Contributions by)Charlton, Michael(Contributions by)Fruoco, Jonathan(Contributions by)Grossman, Andrew(Contributions by)Jr., Kevin J. Wetmore(Contributions by)Merwe, Philip van der(Contributions by)Meurer, Ulrich(Contributions by)O'Brien, Garreth(Contributions by)Planka, Sabine(Contributions by)Roberts, Ivy(Contributions by)Robinson, David(Contributions by)Bekker, Ian(Edited by)Merwe, Philip van der(Edited by)Planka, Sabine(Edited by)
Part of the Critical Companions to Contemporary Directors series
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A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director's films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) to his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave together an avant-garde cinematic style, imaginative exaggeration, and social critique. Consequently, while his films can seem artistically chaotic and thus have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.

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Product Details
Lexington Books
1666912263 / 9781666912265
eBook (EPUB)
11/11/2022
United States
English
264 pages
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