A Study of Stravinsky's "Sonate Pour Piano" (1924) and "Serenade En La" : A Performer's Analysis and Comparison (New ed.)

A critical examination of two piano works by Igor Stravinsky from a performer's point of view, pointing our reflections of 18th-century forms and styles, while indicating some of the transformation brought about by the composer's musical personality.

The work develops insights that supplement views of theorists and historians.