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The philosophy of Michael Mann

Adriaensens, Vito(Contributions by)Arnett, Robert(Contributions by)Corne, Jonah(Contributions by)LaRocca, David(Contributions by)Palmer, R. Barton(Contributions by)Paulus, Tom(Contributions by)Pomerance, Murray(Contributions by)Ritzer, Ivo(Contributions by)Rodriguez-Ruiz, David(Contributions by)Rybin, Steven(Contributions by)Sanders, Steven(Contributions by)Skoble, Aeon J.(Contributions by)Skrodzka, Aga(Contributions by)Sterritt, David(Contributions by)Wildermuth, Mark E.(Contributions by)Woolfolk, Alan(Contributions by)Palmer, R. Barton(Edited by)Sanders, Steven(Edited by)Skoble, Aeon J.(Edited by)
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Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winningThe Jericho Mile(1979), the cult favouriteThe Keep(1983), the American epicThe Last of the Mohicans(1992), and the Academy Award-nominatedThe Insider(1999) as well as his most recent works --Ali(2001),Miami Vice(2006), andPublic Enemies(2009).

The Philosophy of Michael Mannprovides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognisable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.

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Product Details
University Press of Kentucky
0813144736 / 9780813144733
eBook (Adobe Pdf)
28/02/2014
English
265 pages
Copy: 10%; print: 10%
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