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Dreamscapes in Italian cinema

Andersson, Axel(Contributions by)Andrews, Eleanor(Contributions by)Belau, Linda(Contributions by)Bellocchio, Maria Letizia(Contributions by)Berns, Fernando Gabriel Pagnoni(Contributions by)Cristiano, Anthony(Contributions by)Davis, Amy M.(Contributions by)Natali, Maurizia(Contributions by)Parui, Avishek(Contributions by)Rabissi, Francesco(Contributions by)Stefanis, Alessandro de(Contributions by)Waters, Sandra(Contributions by)Cracchiolo, Bryan(Edited by)Pascuzzi, Francesco(Edited by)
Part of the The Fairleigh Dickinson University Press Series in Italian Studies series
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Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others).

Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example).

The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.

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£148.00
Product Details
1611477824 / 9781611477825
eBook (Adobe Pdf)
21/01/2015
English
205 pages
Copy: 10%; print: 10%
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