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Agnes Martin

Anastas, Rhea(Contributions by)Cooke, Lynne(Contributions by)Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA)(Contributions by)Katz, Jonathan D.(Contributions by)Newman, Michael(Contributions by)Cooke, Lynne(Edited by)Kelly, Karen(Edited by)
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New discourse on four decades of painting by one of the 20th century's most influential artists Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired.

Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization.

Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce-until now.

This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career. Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative.

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Product Details
Yale University Press
0300151055 / 9780300151053
Hardback
759.13
01/11/2011
United States
English
268 pages : illustrations (black and white, and colour)
27 cm
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