Music in Theory and Practice - v. 2 (8 Revised edition)

Preface Part A: The Renaissance And Baroque Periods Chp. 1: Late Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. 3: The Fugue Part B: Chromatic Harmony Chp. 4: Borrowed Chords Chp. 5: Neapolitan 6th Chords Chp. 6: Augmented 6th Chords Part C: The Classical Period (1750-1825) Chp. 7: Variation Technique Chp. 8: Sonata Form Chp. 9: Rondo Forms Part D: Extended And Chromatic Harmony Chp. 10: 9th,11th, and 13th Chords Chp. 11: Altered Dominants Chp. 12: Chromatic Mediants Part E: The Nineteenth And Twentieth Centuries Chp. 13: The Romantic Period (1825-1900) Chp. 14: The Post-Romantic Impressionistic, and Related Styles Chp. 15: The Contemporary Period (1910-1945) Chp. 16: Twelve-Tone Technique Postlude: Music Since 1945 Appendixes Glossary Index