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Critique, Critiques Au 18e Siecle

Reframing the European Other: Identity and Belonging in Contemporary French and German Cinema

Pre-Raphaelites in the Spirit World: The Seance Diary of William Michael Rossetti

Human Encounters: Introduction to Intercultural Communication

Creation of an Avant-Garde Brand: Heiner Mueller's Self-Presentation in the German Public Sphere

Juan Munoz: The Politics of Silence

Transient Print: Essays on the History of Printed Ephemera

Living in God Without God

Pilgrimage to Mount Athos

Lexikalische Variation in Patientenbriefen des 19. und fruehen 20. Jahrhunderts

Les chaines de televisions celtiques face a la globalisation: Resistance, convergence et deterritorialisations

Form, Meaning and Aspect in the German Impersonal Passive

Facing Poverty and Marginalization: Fifty Years of Critical Research in Brazil - 1

Nacer desde el sueno: Fenomenologia del onirismo en el pensamiento de Maria Zambrano - 1

Of writers and workers: the movement of writing workers in East Germany

Telling hands and teaching feet: nonverbal communication in two of the narratives in Acts - 61

Irish Appropriation of Greek Tragedy

Plays and Controversies: Abbey Theatre Diaries 2000-2005

Goethe and Anna Amalia: A Forbidden Love?

Blick Mead: exploring the 'first place' in the Stonehenge landscape : archaeological excavations at Blick Mead, Amesbury, Wiltshire, 2005-2016

Feuchtwanger und Muenchen

Mandarin, the Musician and the Mage: T. K. Whitaker, Sean O Riada, Thomas Kinsella and the Lessons of Ireland's Mid-Twentieth-Century Revival

UeberLebenswege: Erinnerungen und Erfahrungen Schwarzer Deutscher der Nachkriegsgeneration

Mandarin, the Musician and the Mage: T. K. Whitaker, Sean O Riada, Thomas Kinsella and the Lessons of Ireland's Mid-Twentieth-Century Revival

German Pop Music in Literary and Transmedial Perspectives

The newsroom: a space of decision making

Sculpting the woman: muscularity, power and the problem with feminity - 2

Reframing the European Other: Identity and Belonging in Contemporary French and German Cinema

Form, Meaning and Aspect in the German Impersonal Passive

The Horn of Africa and Italy: Colonial, Postcolonial and Transnational Cultural Encounters

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